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AnonymRegistriert seit: 01.01.1970
Beiträge: 0
Hat die schon wer? Meinungen?
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Highlights von metal-hammer.deWolfswinter*Thread ausgrab*
Wie ist hier eigentlich die Meinung zu den Engländern von Cathedral?
Ich selber mag eigentlich alles von ihnen. Mein Favorit ist allerdings
das aktuelle „The Garden of unearthly delights“ dicht gefolgt von der genialen „Supernatural Birthmachine“ Cd.Ist wohl die Band, die ich am häufigsten live gesehen habe. Auf der Sabbath-Tour haben die den Headliner, nun ja, verdammt alt aussehen lassen. Immer ein Genuss…
Lieblingsplatten: Die „Forest…“ ist für mich immer noch eines der innovativsten, verschrobensten und schlichtweg schönsten Metalalben aller Zeiten. Ebenfalls zum Niederknien sind „The Ethereal Mirror“, „Carnival Bizarre“ und „Static Majik“. Die „Supernatural..“ find‘ ich dagegen echt ’n bisschen flach und einfallslos, dito „Endtyme“.--
"Out in a bloody rain to feed our fields Amid the Maenad roar of nitre's song And sulfur's cantus firmus." Richard Wharfinger: The Courier's Tragedy http://www.lastfm.de/user/mossmoon@Saint Vitus
anfangen sollte man unbedingt mit BORN TOO LATE, ein absolutes hammeralbum. der titelsong beinhaltet im grunde die essenz des doom. textlich und musikalisch.
dann sollte man sich die V und MOURNFUL CRIES vornehmen. wie die BTL auch mit Wino. und danach die restlichen. mensch wie kann man hier posten aber saint vitus nicht kennen? das ist wie im thrash bereich posten und fragen wie denn slayer so ist.--
Aktuelle Verkaufsliste: http://forum.metal-hammer.de/showthread.php?50515-massig-CDs-amp-LPs Sammlung: http://www.musik-sammler.de/sammlung/da-mayerandysocial@Saint Vitus
anfangen sollte man unbedingt mit BORN TOO LATE, ein absolutes hammeralbum. der titelsong beinhaltet im grunde die essenz des doom. textlich und musikalisch.
dann sollte man sich die V und MOURNFUL CRIES vornehmen. wie die BTL auch mit Wino. und danach die restlichen. mensch wie kann man hier posten aber saint vitus nicht kennen? das ist wie im thrash bereich posten und fragen wie denn slayer so ist.So, die V war gerade in der Post, Mournful Cries ja schon letzte Woche oder so. Jetzt ist auch diese Bildungslücke behoben. Lohnt sich auf jeden Fall.
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Support the dying cult of underground metal! Stay black and brutal forever! If it was not for my parents I would have tried to kill myself before Instead i listend to Slayer and dreamt on A world without war is like a city without whoresZum Thema Doom – speziell Funeral Doom – haben wir jetzt ein mehrseitiges Special online, das zurzeit jeden Tag erweitert wird. Ihr findet es hier:
http://www.metal-hammer.de/Funeral_Doom_Musikkurs_22_08_08-site-hammer.html
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Black Shape Of Nexus gehen ab September auf Tour:
http://forum.metal-hammer.de/showthread.php?p=1236071#post1236071Haben auf Tour dann endlich auch gestickte Aufnäher am Start…
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unbedingt auschecken:
anhören z.B. unter www.myspace.com/blinddaterecords
ALDEBARAN – dwellers of twilight lp
Aldebaran is one of those bands which are, for some reason, very much unknown yet release music which is undeniably awesome in every sense of the word.
Their first full-length album, Dwellers in Twilight, follows the trend that Aldebaran has of releasing very consistent, impressive and oppressive doom metal.This album contains three tracks, clocking in at a little over 43 minutes total, of very heavy, very dark and very slow doom metal.
Shades of funeral doom abound here, with the band relying heavily on instrument-orchestrated atmospheres and plodding
pace that crush the life out of the listener. Repetition is an integral part of Aldebaran’s approach on this album,
with many riffs and patterns repeated for minutes at a time. But it isn’t boring at all, and this is where the
entire atmospheric aspect of the album shines – no
matter how long a song goes on for, when it
ends you just wish it would have just an extra five minutes more so you can immerse yourself in it for just a
bit longer and dig deeper into the amazing ideas and nuances that abound. And the clarity of the production
is a surprise – Aldebaran seems take the „clean“ route here, not saturating everything in reverb or anything
like that. Interestingly enough, the production job is a bonus, as by conveying all of their ideas across with
the utmost clarity the music sounds just that little bit more menacing and not a note or word uttered is lost upon the listener.The vocalist is superb. There are two vocal approaches here, both of which are used very effectively.
Firstly, we have the death growl approach, which features prominently and usually appears when the music is at its slowest.
While they’re very easy to understand, they add more to the music than just a way by which the band
can convey their lyrics across to the reader – they’re an instrument in their own right, and they ooze
hopelessness and fury at the same time. The second approach, which is reserved mainly for when the
band breaks into a relatively faster or more powerful section, is a high sort of hardcore scream that many
of these sludge/doom bands are well known for. Both are used immaculately, and even when they’re
used together with one running over the other it sounds menacing, unlike other bands which use such an
approach (such as, say, Deicide). The lyrics are heavily influenced by literature and Lovecraft (just listen
to the clip at the start of „Pillars of Geph“), and are just as dark, delightful and multi-faceted as the music itself.As an unimportant but interesting side-note, the album art is excellent too. Especially the image on the
back which also holds the track listing. It is a pretty neat synopsis of the music that this album holds.But anyway, I’ll sum things up now. This release is a wonderful and worthy addition to the realm of doom
metal, and if you have any interest in the genre whatsoever, this album is highly recommended.
You won’t be disappointed in the slightest.--
***Challenge for a civilized society**** www.blinddaterecords.de www.myspace.com/blinddaterecords.deauch mal für doomer lohnenswert reinzuschauen:
CROM – hot sumerian nights LP
Crom are funny guys. Their first record, The Cocaine Wars, featured one of the best album covers EVER,
a Heavy Metal Magazine style painting of a hot babe in armor, riding a huge polar bear, across a vast tundra,
covered in a thick layer of snow, that once the booklet was opened, was revealed to
actually be mounds of cocaine being sniffed by a mighty Viking! The new record, features
the band painted in the same style as the first record, all Vikings, wearing armor, swords
at their side, one flipping the bird, trudging across another snowy expanse, that this time, once
the booklet opens, becomes the fluffy bedspread of a sleeping Viking,
warm and cozy beneath a polar bear skin, his arm around his sleeping wench. Needless to say
we were sold before we even heard a note. And musically, these guys are pretty goofy too, tons
of short short tracks, as many skits and interludes and weird sonic experiments
as there are proper songs. But the key to Crom is that A. They really are funny, and the skits, while
often dumb or puerile or pointless, are in fact pretty hilarious, and B. The riffs KILL. To the point of being
incredibly frustrating, as each song cuts off after only a minute or two, leaving the listener wanting more.
Way more. But somehow, all of those metallic fragments, and all of the fucked up
silly non-musical moments, are woven into one awesomely over the top, confusional genius mess.
The sound is part black metal, part classic metal, part grind, a little Fucking Champs, some death metal,
a little doom, it’s obviously the work of some seriously
obsessive metalheads, with seriously short attention spans, but the songs
when they kick in totally destroy, from furious thrashing blackness, to grinding churning chug, to
what-the-fuck metallic free for all, to total classic old school majestic metal, often all in the same
song, and then there’s all the snippets from movies, the bits of dialogue, the weird whispered vocals
chanting ‚join us‘, the entire track made of the sniffle of cocaine sniffing (we assume), weird epic
fade-in’s that fade in to nothing, some seriously Melvins-y sludge, confusional collages of samples and
downtuned riffage, but none of that shit would fly if the band weren’t capable of rocking
like mother fuckers, which they most certainly are.--
***Challenge for a civilized society**** www.blinddaterecords.de www.myspace.com/blinddaterecords.deSodala, DiRGE.
Lade mir gerade „Wings Of Lead Over Dormant Seas“ bei iTunes runter. Habe bisher nur Schnipsel auf der Bandhomepage gehört. Aber ich glaube, das ist was ganz großes. Der erste Hördurchlauf hat gerade erst begonnen, und ich bin schon gefesselt. Für diese Musik braucht man auf jeden Fall ZEIT…
Kennt jemand diese Band?Mir gefällt der Gesang nicht. Find ich unpassend.
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Support the dying cult of underground metal! Stay black and brutal forever! If it was not for my parents I would have tried to kill myself before Instead i listend to Slayer and dreamt on A world without war is like a city without whoresNecrofiendMir gefällt der Gesang nicht. Find ich unpassend.
Bei Dirge? Hab mir das Album jetzt zwei drei mal komplett durchgehört, und bin begeistert. Auch vom Gesang, wobei ein oder zwei Stücke dabei sind, die mir fast etwas zu seicht sind. Dennoch alles in allem ein Hammeralbum!
celeste:
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=60292752
sind sehr cool und gehn so richtung sludge denk ich :haha:--
ambitions...sorry but i have noneThe AdversaryWas sagt ihr zu Warning?
Ich find die absolut grossartig 🙂
Ich auch. Ich hab jetzt die Watching From A Distance und brauche die andere auch unbedingt noch.
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Jau, diie andere will ich auch noch. WFAD ist absolut genial. Hats mir ziemlich angetan.
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