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Beiträge
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Der Ausschnitt des neuen Songs auf myspace überzeugt mal gar nicht … bin echt schon gespannt was das wird.
Highlights von metal-hammer.deDas allerlustigste an der ganzen Sache is ja, dass Axl sich tatsächlich einbildet, er würde ohne Slash und von mir aus Izzy auch nur eine grade Note auf die Scheibe kriegen. Das geht schief, mit Pauken und Trompeten.
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http://http://www.youtube.com/watch?v=M24W57WUsiw
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.deProphecyDer Ausschnitt des neuen Songs auf myspace überzeugt mal gar nicht … bin echt schon gespannt was das wird.
Kannst den Song auch ganz hören: http://web.gunsnroses.com/splash.jsp
:mrgit:
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.deDrFeelgood1983Kannst den Song auch ganz hören: http://web.gunsnroses.com/splash.jsp
:mrgit:
Herrje, was für ein übler Song.:o Ich hab jetzt das erste Mal was vom neuen (lol!) Album gehört und bin schwer enttäuscht. Der Song rockt nicht, hat keinen Pep und ist noch nicht mal eingängig geschrieben. Zudem klingt Axls Stimme dermaßen gepresst und verbraucht, dass man sich ernsthaft fragt, ob der Mann in den letzten Jahren das Singen verlernt hat. Wenn der Rest des Albums von gleicher Qualität ist, erleben wir demnächst die auf CD gepresste Demontage einer Legende.
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"Heavy Metal in my ears Is all i ever want to hear. Before the sands of time run out , We'll stand our ground and all scream out! Manilla Road - Heavy Metal to The World On Tour: 11.06. Rockfels - Loreley Freilichtbühne, St. Goarshausen last.fm Musik-SammlerDas finde ich höchst mittelmäßig. Die Gitarren klingen ganz nett, wenn mans nicht unbewdingt mit dem alten Sound vergleicht. Der Song an sich ist eher wenig spannend, halt ein Mitwipper, wenn er nebenbei läuft, aber nix, um euphorisch zu werden. Der Gesang ist eher langweilig.
Also katastrophal find ich’s jetzt nicht.
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Eddie1975Herrje, was für ein übler Song.:o Ich hab jetzt das erste Mal was vom neuen (lol!) Album gehört und bin schwer enttäuscht. Der Song rockt nicht, hat keinen Pep und ist noch nicht mal eingängig geschrieben. Zudem klingt Axls Stimme dermaßen gepresst und verbraucht, dass man sich ernsthaft fragt, ob der Mann in den letzten Jahren das Singen verlernt hat. Wenn der Rest des Albums von gleicher Qualität ist, erleben wir demnächst die auf CD gepresste Demontage einer Legende.
Also, die Demontage ist doch schon längst passiert, würd ich mal sagen… Der Song rockt wirklich nicht wie früher, was hauptsächlich daran liegt, dass organische Hardrock-Gitarristen wie Slash, Izzy oder Gilby nicht mehr dabei sind. Das Album „Chinese Democracy“ wird hauptsächlich an seiner vergleichsweise kalten, sterilen Atmosphäre kranken, nehm ich mal an… Die Leute werden nach wie vor, was ja auch gut ist, die alten GN’R im Hinterkopf haben, und das passt dann nicht wirklich zusammen. Obwohl ich andererseits finde, dass das jetzt doch irgendwie die logische Weiterentwicklung des „Illusion“-Sounds ist… Ich kauf die Scheibe, auch wenn ich schon fast alle Songs davon kenne.
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.de:haha: Wie schonmal geschrieben – das Album wird trotzdem überall NR.1 der Albumcharts werden – da bin ich mir sehr sicher…
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Davon geh ich auch aus. Aber wie ich schon weiter vorn schrieb: Es wird schnell ganz erfolgreich sein und dann wieder von der Bildfläche verschwinden und irgendwo im Midprice-Segment rumdümpeln…
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.demidprice starts noooooooooooooooooooooooooooooooooooooooow!!!!11
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Ladies and gentlemen, dem Großmeister des Niveaulimbo kann man nur so entkommen: hulud auf Ihre Ignorier-Liste setzenhuludmidprice starts noooooooooooooooooooooooooooooooooooooooow!!!!11
Lies bitte genau: Midprice kommt erst ein paar Monate danach. 😈
Ansonsten:
04.11.2008: Brian May kein Demokrat?
Es wird gemunkelt, dass GUNS N‘ ROSES Brian Mays Gitarren, die er zum Song ‚Catcher N‘ The Rye‘ beigesteuert hat, nicht mehr auf „Chinese Democracy“ verwenden werden. Angeblich wurden die Parts des QUEEN-Gitarristen von den Gunners neu eingespielt. May zeigt sich kulant. Es sei zwar schade, aber er können Axls Entscheidung gut verstehen. Schließlich wolle er ein reines GNR-Album veröffentlichen. ‚Catcher …‘ war bereits 1999 (!) eingespielt worden. Quelle: rockhard.de
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.deLet’s get right to it: The first Guns n‘ Roses album of new, original songs since the first Bush administration is a great, audacious, unhinged and uncompromising hard-rock record. In other words, it sounds a lot like the Guns n‘ Roses you know. At times, it’s the clenched-fist five that made 1987’s perfect storm, Appetite for Destruction; more often, it’s the one sprawled across the maxed-out CDs of 1991’s Use Your Illusion I and II, but here compressed into a convulsive single disc of supershred guitars, orchestral fanfares, hip-hop electronics, metallic tabernacle choirs and Axl Rose’s still-virile, rusted-siren singing.
If Rose ever had a moment’s doubt or repentance over what Chinese Democracy has cost him in time (13 years), money (14 studios are listed in the credits) and body count — including the exit of every other founding member of the band — he left no room for it in these 14 songs. „I bet you think I’m doin‘ this all for my health,“ Rose cracks through the saturation-bombing guitars in „I.R.S.,“ one of several glancing references on the album to what he knows a lot of people think of him: that Rose, now 46, has spent the last third of his life running off the rails, in half-light. But when he snaps, „All things are possible/I am unstoppable,“ in the thumper „Scraped,“ that’s not loony hubris — just a good old rock & roll „fuck you,“ the kind that made him and the old band hot and famous in the first place.
Something else Rose broadcasts over and over on Chinese Democracy: Restraint is for suckers. There is plenty of familiar guitar firepower — the stabbing-dagger lick that opens the first track, „Chinese Democracy,“ the sand-devil fuzz in „Riad N‘ the Bedouins“ and the looping squeals over the grand anguish of „Street of Dreams.“ But what Slash and Izzy Stradlin used to do with two guitars now takes a wall of ‚em. On some tracks, Rose has up to five guys — Robin Finck, Buckethead, Paul Tobias, Ron „Bumblefoot“ Thal and Richard Fortus — riffing and soloing in broad, saw-toothed blurs. And that’s no drag. I still think the wild, superstuffed „Oh My God“ — the early Chinese Democracy track wasted on the 1999 End of Days soundtrack — beats everything on Guns n‘ Roses‘ 1993 covers album, The Spaghetti Incident?
Most of these songs also go through multiple U-turns in personality, as if Rose kept trying new approaches to a hook or a bridge and then decided, „What the hell, they’re all cool.“ „Better“ starts with what sounds like hip-hop voicemail — severely pinched guitar, drum machine and a near-falsetto Rose („No one ever told me when/I was alone/They just thought I’d know better“) — before blowing up into vintage Sunset Strip wallop. „If the World“ has Buckethead plucking acoustic Spanish guitar over a blaxploitation-film groove, while Rose shows that he still holds a long-breath vowel — part torture victim, part screaming jet — like no other rock singer.
And there is so much going on in „There Was a Time“ — strings and Mellotron, a full-strength choir and Rose’s overdubbed sour-growl harmonies, wah-wah guitar and a false ending (more choir) — that it’s easy to believe Rose spent most of the past decade on that arrangement alone. But it is never a mess, more like a loud mass of bad memories and hard lessons. In the first lines, Rose goes back to a beginning much like his own — „Broken glass and cigarettes/ Writin‘ on the wall/It was a bargain for the summer/An‘ I thought I had it all“ — then piles on the wreckage along with the orchestra and guitars. By the end, it’s one big melt of missing and kiss-off („If I could go back in time . . . But I don’t want to know it now“). If this is the Guns n‘ Roses that Rose kept hearing in his head all this time, it is obvious why two guitars, bass and drums were never going to be enough.
It is plain, too, that he thinks this Guns n‘ Roses is a band, as much as the one that recorded „Welcome to the Jungle,“ „Sweet Child O‘ Mine,“ „Used to Love Her“ and „Civil War.“ The voluminous credits that come with Chinese Democracy certainly give detailed credit where it is due. My favorite: „Initial arrangement suggestions: Youth on ‚Madagascar.“ Rose takes the big one — „Lyrics N‘ Melodies by Axl Rose“ — but shares full-song bylines with other players on all but one track. Bassist Tommy Stinson plays on nearly every song, and keyboardist Dizzy Reed, the only survivor from the Illusion lineup, does the Elton John-style piano honors on „Street of Dreams.“
But Rose still sings a lot about the power of sheer, solitary will even when he throws himself into a bigger fight, like „Chinese Democracy.“ In „Madagascar,“ which Rose has played live for several years now, he samples both Dr. Martin Luther King’s „I have a dream“ speech and dialogue from Cool Hand Luke. And at the end of the album, on the bluntly titled „Prostitute,“ Rose veers from an almost conversational tenor, over a ticking-bomb shuffle, to five-guitar barrage, orchestral lightning and righteous howl: „Ask yourself/Why I would choose/To prostitute myself/To live with fortune and shame.“ To him, the long march to Chinese Democracy was not about paranoia and control. It was about saying „I won’t“ when everyone else insisted, „You must.“ You may debate whether any rock record is worth that extreme self-indulgence. Actually, the most rock & roll thing about Chinese Democracy is he doesn’t care if you do.http://www.rollingstone.com/reviews/album/24024297/review/24161281/chinese_democracy
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.deist ja wohl lächerlich, dass Brian May da erst um eine Mitarbeit gebeten wird, damit dann herauskommt, dass seine Parts nicht verwendet werden. Herr Rose macht sich so bestimmt noch viele neue Freunde.
Das, was ich von dem Album bisher hören konnte, war allerhöchstens mittelmaß.
Axl sollte die Band umbenennen und den Namen G´n´R nicht so in den Dreck ziehen--
And then there was SilenceNIKKI SIXX Says ‚Chinese Democracy‘ Is ‚Not A GUNS N‘ ROSES Record‘ – Nov. 19, 2008 According to The Pulse of Radio, the new GUNS N‘ ROSES album, „Chinese Democracy“, was leaked online in its entirety on Tuesday (November 18), finally giving anyone with access to BitTorrent and RapidShare sites a chance to hear the record that has been 13 years in the making. The disc comes out legally on Sunday (November 23) exclusively through Best Buy. One person who’s curious to hear it is MÖTLEY CRÜE bassist Nikki Sixx, although he told The Pulse of Radio he has some reservations. „I don’t know if I believe it’s a GUNS N‘ ROSES record, because it’s just Axl,“ he said. „I think it’s a phenomenal solo record, I’m sure, but as far as being a GUNS N‘ ROSES record, you know, I’d love to hear GUNS N‘ ROSES together because we believed in that band. You know, Axl’s the type of artist who will make sure it’s a great record, but it’s not a GUNS N‘ ROSES record, it’s an Axl Rose record. We need to be careful with the brand name.“
GUNS N‘ ROSES once opened for MÖTLEY CRÜE back in the late Eighties.
Singer Axl Rose is the sole remaining original member of the classic GUNS N‘ ROSES lineup. A revolving cast of musicians have performed on „Chinese Democracy“.
Although vocalist Vince Neil and drummer Tommy Lee have both left MÖTLEY CRÜE at various points, there have always been at least three original members in the group.
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=109225
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Let him soothe your soul, just take his hand/ Some people call him an evil man/ Let him introduce himself real good/ He's the only one they call Feelgood (Mötley Crüe, 1989) Metal Hammer Hair Metal Company www.rocktimes.de
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